I Am Love (Film)

I Am Love
Original Italian poster
Directed by Luca Guadagnino
Produced by Tilda Swinton
Luca Guadagnino
Francesco Melzi d'Eril
Marco Morabito
Alessandro Usai
Massimiliano Violante
Written by Luca Guadagnino
Barbara Alberti
Starring Tilda Swinton
Gabriele Ferzetti
Marisa Berenson
Music by John Adams
Cinematography Yorick Le Saux
Editing by Walter Fasano
Studio First Sun
Distributed by Mikado Film (Italy)
Metrodome Distribution (UK & IRL)
Magnolia Film (US)
Release date(s)
Running time 114 minutes
Country Italy
Language Italian
Budget USD 10,000,000 (est.)[1]
Box office USD 11,568,202[2][3]

I Am Love (Italian: Io sono l'amore) is a 2009 Italian film directed by Luca Guadagnino set around 2000 in Milan. The film follows an haute bourgeoisie family through changing times and fortunes, and its disruption by the forces of passion. The cast is led by Tilda Swinton as Emma Recchi. Producers Swinton and Guadagnino developed the film together over an 11-year period.

The title is taken from a line from the aria La mamma morta, which is explored in the film Philadelphia (starring Tom Hanks and Denzel Washington), a scene of which Emma is watching while in bed with her husband, during the film. The film's soundtrack uses pre-existing compositions by John Adams.[4]

The film premiered in September 2009 at the Venice Film Festival, followed by showings at various film festivals around the world. It first went on general release in Italy in March 2010, followed by the UK and Ireland in April 2010. In the United States it had only a limited release in June 2010, before being released on DVD in October 2010.[5]

Plot summary

The wealthy Recchi family are first and second-generation textile manufacturers in Milan. The film begins with scenes of Milan in the snow and a formal dinner party arranged by Tancredi Recchi (Pippo Delbono) and his wife Emma (Swinton) for Tancredi's still-formidable but ailing father, Edoardo Sr. (Gabriele Ferzetti), patriarch and founder of the family business, who is celebrating his birthday. As the many servants bustle about, the family note with disappointment the news that Edoardo Jr. (Flavio Parenti), Tancredi and Emma's eldest son, lost his race the day of his grandfather's birthday. Edoardo Jr. arrives from his lost race, having informed the family that he has invited a girlfriend. She is Eva, of the prominent Ugolini family, who we learn he apparently plans to marry. Edoardo Jr.'s young adult siblings, Gianluca (Mattia Zaccaro) and Elisabetta, complain of yet again being served "ucha," Edoardo Jr.'s favourite dish - a special soup his mother Emma, who is Russian by birth, made for him in childhood. During the meal, the grandfather announces he is passing the family business to his son, Tancredi, who has long worked with him, and also, unexpectedly, to Edoardo Jr.

At the dinner, Tancredi and Emma's daughter Elisabetta (Alba Rohrwacher), who attends school in London, presents her grandfather with one of her artworks, a photograph, despite a tradition of presenting one another paintings. He is disappointed, but encouraged by his glamorous wife Allegra "Rori" Recchi (Marisa Berenson) to gloss over his disappointment.

Later during the birthday celebration, Edoardo Jr. receives a surprise visit from Antonio (Edoardo Gabbriellini), the chef who defeated him in the race earlier that day. Antonio brings a beautiful cake as a gift, and Edoardo, flattered by the gesture, introduces him to his mother.

After the party, while Emma is running errands, she discovers a CD, with a note from Elisabetta to Edoardo revealing that Elisabetta is a lesbian. She tells her brother of an encounter with a woman and that she is in love with another woman. Meanwhile, Edoardo Jr. visits Antonio in Antonio's father's restaurant. They later make plans with to open a restaurant together on some property Antonio's father owns in San Remo.

Several months later, Emma is having lunch at Antonio's restaurant with Eva and Allegra, and she is aroused while relishing a prawn dish he prepares for her. Elisabetta returns to Milan and invites Emma to go with her to Nice to look for a venue for Elisabetta's art exhibition, while making a stop in San Remo where she knows she may encounter Antonio. She does spot him, follows him, and runs into him outside of a book shop. She then goes with him to his house in the hills above the city, and their affair begins.

Meanwhile, in London, Edoardo Jr. struggles as his father and other family members seek to sell the family business to foreign investors. He visits his sister and tells her of the future of the business and his opposition to the decision.

On her second trip to San Remo, under the pretext of discussing a menu for the formal dinner she will host for the foreign investors who are buying the Recchi family business, Emma spends the day with Antonio, and the two enjoy passionate lovemaking. Emma tells Antonio how Tancredi met her during a trip to Russia, hunting art treasures. Antonio cuts Emma's blonde hair, a long lock of which falls unnoticed to the terrace, where Edoardo Jr. finds it during his own subsequent visit after the London meeting.

On the night of the dinner for the investors at the Recchi villa, we overhear a conversation between Edoardo Jr. and Eva which reveals that she is pregnant with his child. Antonio prepares "ucha" - whose preparation Emma has described to Antonio during one of their intimate moments. When the servers place this soup before him, Edoardo, recalling the lock of blonde hair, instantly realizes his mother is having an affair with Antonio. He leaves the dinner table in a fury. Emma follows him outside to the swimming pool and tries to talk to him. At this point they talk in Russian. In pulling away from Emma's outstretched hand Eduardo loses his balance, falls, strikes his head on the sharp concrete edge, before falling into the pool. He sustains a cerebral haemorrhage, and dies in hospital.

Immediately after the funeral, Tancredi tries to console Emma, but she tells him that she is in love with Antonio. Emma rushes back to her villa, changes her clothes while her housekeeper helps her pack her things to leave. Before she leaves, she exchanges a knowing glance with her daughter, who it appears understands her mother's desire to follow her heart. Meanwhile, Edoardo Jr.'s fiancée, Eva, who had not been noticed by Edoardo's family since his death, clutches her abdomen as she calls out to Eduardo Jr.'s siblings and grandmothers, revealing to them her pregnancy. When the family members look back into the foyer where Emma was standing, she is gone. During the final credits, Emma and Antonio are seen in a slow motion scene lying together inside a cave.


Many of the scenes were shot in Villa Necchi Campiglio, a 1930s mansion in the heart of Milan designed by architect Piero Portaluppi.[6] Tilda Swinton states in the DVD commentary to the movie that the villa was perfect because they were looking for a house “that was part palace, part museum, and part prison.” The funeral and the subsequent scene were filmed in the Cimitero Monumentale di Milano.

The soundtrack is made up entirely of pre-existing pieces by the modern classical composer John Adams. Swinton states on the commentary that the film was actually created around the pieces of music, and that they went to Adams after finishing the film and asked to use his music, which he had not allowed before. They were relieved when he liked the film and said yes.

The food and meals in the film were inspired by the cuisine of Carlo Cracco, the owner of the legendary Cracco Peck restaurant in Milan.



Critical response

I Am Love was met with generally positive reviews. Review aggregate Rotten Tomatoes reports that 80% of critics have given the film a positive review based on 118 reviews, with an average score of 7.2/10. The critical consensus is: "It stumbles into melodrama, but I Am Love backs up its flamboyance with tremendous visual style and a marvelous central performance from Tilda Swinton."[7] Another review aggregator, Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, calculated a "generally favorable" score of 79 based on 32 reviews.[8] Roger Ebert of Chicago Sun-Times gave the film four out of four stars, praising Swinton's performance and saying "I Am Love is an amazing film. It is deep, rich, human. It is not about rich and poor, but about old and new. It is about the ancient war between tradition and feeling."[9] The Washington Post's Ann Hornaday said the film was "carefully composed and framed, gorgeously appointed, superbly choreographed and accompanied by a thrilling musical score, it would no doubt provide rewarding fodder for critics of art, design, fashion, dance and music."[10] Peter Bradshaw of The Guardian gave the film three out of five stars, saying "It's a high-IQ picture – there are few enough of those – and it's fascinating, if a little bloodless. A gorgeously costumed and styled piece of work."[11]

Margaret Pomeranz of At the Movies gave the film four and a half out of five stars and said "This is a beautiful film, moving, stylish with a sensual romance at its heart."[12] Betsy Sharkey of the Los Angeles Times praised Swinton's performance, saying "Swinton is one of the finest actresses working in contemporary cinema, but Guadagnino, who developed the project with her in mind, has created a film that literally luxuriates in her talents."[13] Empire's Damon Wise gave the film four out of five stars and said "Though it drags a little, this stately film never descends into formula, using John Adams' score to great effect and boldly utilising the flourishes of '70s Italian genre cinema (zooms, handheld camera) to create something original, refreshing and really very moving."[14]

Lisa Schwarzbaum of Entertainment Weekly gave the film a grade of "C+", saying "O sexytime in the countryside! O many wardrobe changes! The film is almost deliriously stylish, which helps mask the silliness. But the bellowing music, by John Adams, is infuriatingly intrusive — which undoes the visual good."[15] Mark Demetrius of Filmink gave the film a negative review, stating "Despite an elegant and impressive visual style, the narrative of this slow-paced film is uninteresting and full of cliché."[16] New York Film Critics Online called the work the Best Foreign Film of 2010. Quentin Tarantino listed it as one of his favorite 20 films of 2010.[17]

The film was nominated at the 68th Golden Globe Awards for Best Foreign Film, however, it lost to Denmark's In a Better World. Costume designer Antonella Cannarozzi was nominated on January 5, 2011, for an Academy Award for Best Costume Design for her work in the film, however she lost to Colleen Atwood for Alice in Wonderland.

Box office

By March 2011, the film had grossed a total of USD 11,568,202 in cinemas around the world.[2][3] Home entertainment and TV sales are yet not known.


External links

  • Internet Movie Database
  • Box Office Mojo
  • Rotten Tomatoes
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